" I’m very selective with whom I give my energy to. I prefer to reserve my time, energy and soul exclusively to those who reflect love." Janice Tanton Artist Moving…
What I am asking you....is this. At your leisure, have a conversation with a stranger - someone you may bump into on the street, in the grocery store, anyone that you don't know. Be forward - ask them...How are you? Really?
My purpose in getting out of doors to paint is always to learn. I find that being in the place, dialling in the shapes, colour and quick light one of the best things that a painter can do to learn about the world around them.
In Oki Niksokowa – All My Relations, I have worked for over a year, preparing paintings for Canada House Gallery that are very, very personal to me. They may also represent some pretty common themes for Canadians. The works represent relationships that I have with just some of the beings, things and places that have touched my life.
Undercurrents' is the first in a series of large-scale works by contemporary painter Janice Iniskimaki Tanton that explore our contemporary Canadian identity/nationality and attachment to this great land.
So excited to announce new products! You can now purchase some of my favourite designs on fabric - beautiful scarves and silk shirts by VIDA - Voices Collection. VIDA is a global partnership of creators, pairing designers from around the world with makers in Pakistan and India in accordance with high ethical standards, to create original, beautiful products. And the best part is that using part of proceeds from the sales of the products, VIDA creates literacy programs for the makers, so that they have opportunities to learn reading, writing and basic math that they would not otherwise have. Could I be any more excited????
Join me for an artist talk, University of Calgary - January 23, 2015.
I'm very pleased to introduce a new series of work, arriving today (July 31, 2014) at Canada House Gallery, Banff AB and Gibson Fine Art in Calgary, AB.
What I love about the practice of painting is that it's amazing to me at any stage - that's why I do it. Sure, there's an idea - a concept and image in my mind for the work, but it's never exactly what ends up on the linen.