Tag Archives: The Golden Spruce

7 Grandfathers, 7 Weeks, #7 Studio, 7 Paintings : What Obliteration Could Do For You

Lucky Studio 7 - Glyde Hall

The Clarity of Studio 7 – Glyde Hall, The Banff Centre

I’m always excited by the whiteness of a vast canvas. With nothing suggested, it becomes the means by which thoughts and directions can begin to have a life of their own and manifest. There is space for something to be born into.

Extrapolating that same brilliant white canvas into a three dimensional, fresh, white blank studio space is sometimes just what the doctor ordered. A space devoid of old work, piles of papers and the collections of years of work, even if it’s well set up, can cause creativity fatigue. Much like a mind cluttered with the happenings of the day, there is no space for creation. No room for ideas to manifest. No clarity possible. No hope when stuff just builds up.

“Art Is The Proper Task of Life.” – Friedrich Nietzsche

Today, I got the keys to a new space – Studio #7 at The Banff Centre where I’ll be working on seven complex paintings for the next seven weeks for the Gwaii Haanas and final CAMP exhibitions. I’ve had them brewing in my mind, but they were not yet crystal clear. I’ll admit I’ve been excited about embarking on the challenge, but also challenged…by the creative challenge itself. Today, when the doors opened into whiteness with a few old pieces of furniture, it was akin to a deep meditation that allowed me to see things differently and to focus my thoughts for the upcoming residency. It was fast – within a half an hour of just sitting within the white walls of the studio, I could actually SEE what the paintings were going to be, my angst disappeared and the solutions presented themselves.

Working on some complex issues with education and the arts over the past week has been exhausting and a big learning curve – lots of new information peppered with high emotions on all sides. People are fearful of change and upsetting the status quo. Filtering through the rhetoric, politics and individual agendas has been like taking some whitewash to an old fence and wiping away the dirt. There’s a lot of dirt on THAT fence, but it’s clear to me that there are solutions when you scrub hard enough. Some folks don’t like me scrubbing that hard, but I’m determined to ensure there is success. Solutions like this require everyone coming to the table with an honest desire to make things better for the future – laying aside party politics and jurisdiction in order to truly innovate in a clean space. Find that creative solution to the blank canvas of complexity.

It’s the same when you create a painting – you follow and act according to the Seven Grandfather Teachings of the Anishnabe.

Wisdom, Love, Respect, Bravery, Honesty, Humility, Truth

The Seven Grandfather Teachings

“The Seven Grandfather Teachings” ©Janice Tanton. 2008. Oil on canvas. 8″x24″

  • Nibwaakaawin—Wisdom: To cherish knowledge is to know Wisdom. Wisdom is given by the Creator to be used for the good of the people. In the Anishnabe language, this word expresses not only “wisdom,” but also means “prudence,” or “intelligence.” In some communities, Gikendaasowin is used; in addition to “wisdom,” this word can also mean “intelligence” or “knowledge.”
  • Zaagi’idiwin—Love: To know Love is to know peace. Love must be unconditional. When people are weak they need love the most. In the Anishinaabe language, this word with the reciprocal theme /idi/ indicates that this form of love is mutual. In some communities, Gizhaawenidiwin is used, which in most context means “jealousy” but in this context is translated as either “love” or “zeal”. Again, the reciprocal theme /idi/ indicates that this form of love is mutual.
  • Minaadendamowin—Respect: To honor all creation is to have Respect. All of creation should be treated with respect. You must give respect if you wish to be respected. Some communities instead use Ozhibwaadenindiwin or Manazoonidiwin.
  • Aakode’ewin—Bravery: Bravery is to face the foe with integrity. In the Anishinaabe language, this word literally means “state of having a fearless heart.” To do what is right even when the consequences are unpleasant. Some communities instead use eitherZoongadikiwin (“state of having a strong casing”) or Zoongide’ewin (“state of having a strong heart”).
  • Gwayakwaadiziwin—Honesty: Honesty in facing a situation is to be brave. Always be honest in word and action. Be honest first with yourself, and you will more easily be able to be honest with others. In the Anishinaabe language, this word can also mean “righteousness.”
  • Dabaadendiziwin—Humility: Humility is to know yourself as a sacred part of Creation. In the Anishinaabe language, this word can also mean “compassion.” You are equal to others, but you are not better. Some communities instead express this withBekaadiziwin, which in addition to “humility” can also be translated as “calmness,” “meekness,” “gentility” or “patience.”
  • Debwewin—Truth: Truth is to know all of these things. Speak the truth. Do not deceive yourself or others.
Corpse of The Golden Spruce

“Corpse of The Golden Spruce” – Yakoun River, Port Clements, Haida Gwaii. The last of it’s species.

Lucky Studio #7 for 7 weeks…on 7 paintings with the 7 Grandfather Teachings? Four groups of 7?…I think it’s a sign.

Choices : Create / Destroy – They Are Both The Same.

Every moment of your life, you make choices.

Ball Kelp, Haida Gwaii

Ball Kelp, Haida Gwaii

In truth, there are only two choices.

Balance Rock, Haida Gwaii - High Tide

Balance Rock, Haida Gwaii – High Tide

Create.

Burnaby Strait, Low Tide - Gwaii Haanas National Park, Haida Gwaii

“Bat Stars, Turban Snails & Countless Lifeforms ” – Burnaby Strait, Low Tide – Gwaii Haanas National Park, Haida Gwaii

Destroy.

Clearcut and Landslide - Moresby Island, Haida Gwaii

More than twenty-five years after an old-growth clearcut on Moresby Island, Haida Gwaii, the mountain is scarred by landslide.

Every choice falls into both categories.

Protest Signs at Old Masset, Haida Gwaii

Protest Signs at Old Masset, Haida Gwaii

Every choice has a consequence.

Corpse of The Golden Spruce

“Corpse of The Golden Spruce” – Yakoun River, Port Clements, Haida Gwaii. The last of it’s species.

In every choice….be….an Artist.

Haida Gwaii - Ferry Crossing from Graham to Moresby Island

Ferry Crossing from Graham to Moresby Island – Haida Gwaii

All That Glitters…IS Gold!

Linen, 24k Gold Leaf and a Soul…

Work In Progress - "The Yellow Raincoat" ©2012 Janice Tanton. Oil and 24k gold on linen. 24"x 48"

Work In Progress - "The Yellow Raincoat" ©2012 Janice Tanton. Oil and 24k gold on linen. 24"x 48"

Work In Progress - "The Yellow Raincoat" ©2012 Janice Tanton. Oil and 24k gold on linen. 24"x 48"

Work In Progress - "The Yellow Raincoat" ©2012 Janice Tanton. Oil and 24k gold on linen. 24"x 48"

There are many things one thinks about in a painting. Often, it’s how to handle your chosen medium and how to best reveal the light in a three dimensional form on a two dimensional surface. Recently, I read The Golden Spruce by John Vaillant in preparation for my residency in Gwaii Haanas National Park. It caused me to think more deeply about my materials and the link between materials and the work being created and I have a painting in mind that I want to create when I’m back in the studio at the end of June.

Living in my head isn’t fun sometimes. A kajillion thoughts are there at any one time, and the only place I find peace is at the easel. The thought of this idea for a painting has been tugging at me for a month, and in the midst of all the crazy CRA stuff, and getting ready for the monumental trip….still, I couldn’t sleep for wanting to try something out: 24 karat gold leaf on a linen oil painting. In doing some research, I found a few contemporary artists who are working with this on panel…only one I could see so far that was working with it on linen. For thousands of years, classical artists have been using gold leaf to create works, religious icons, embellished architecture.

I spoke with folks from Saskatoon (to source out natural shellac), to New York City, Los Angeles, Toronto and finally….in Calgary. Everyone was generous with their ideas, techniques and information on materials. Here in Calgary, I found Jennifer at Mona Lisa Art Supply.  Jen knew quite a bit about gold leafing and when I explained to her what I was thinking as far as the conceptual thought for the paintings, she got excited and was very helpful in showing me a few ideas about how to go about it and the technical qualities of what I was proposing to work with.

Last night, I took the plunge in this painting…and am VERY excited with how this is all going!

The Yellow Raincoat ©2012 Janice Tanton. Oil and 24k gold on linen. 24"x 48"

Work In Progress - "The Yellow Raincoat" ©2012 Janice Tanton. Oil and 24k gold on linen. 24"x 48"